Here are some examples of tritone substitutions with a II-V-I progression : Dm7 | G7 | Cmaj7. Some examples. A tritone substitution occurs whenever a chord is being substituted or replaced by another chord with a root a tritone interval away. Though examples of the tritone substitution, known in the classical world as an augmented sixth chord, can be found extensively in classical music since the Renaissance period, they were not heard until much later in jazz by musicians such as Dizzy Gillespie and Depending on the style, that dissonance is either desirable or not, and sometimes revoicing the chord can help reduce the dissonance. 8. Here in Part 2 of our discussion on tritone substitution we will go through some specific examples of how tritone substitution works in practice and discuss some ideas for improvisation. Being the Song Butcher , I thought I was just making a mistake. Let’s first look at what a tritone substitution is, in this lesson I’ll do my examples in the key of G major, though it works just as well in minor of course. We’re about to apply that right now! Ebmaj7 and Eb Lydian). If you look at Example 9 then you can see that the chord voicings for Db7 are the same as what you use for a G altered voicing. The Unfinished Song: Turning Frustration Into Success. The tritone substitution is one of the most common chord and improvisation devices in jazz. Here are a few examples: C to F# is a tritone. Tritone substitutions Example 4. G7 is … It is very closely related to using altered dominants, but the fact that you think another chord will also give you some new melodic ideas. The Essential Secrets of Songwriting, © 2020, Ten songwriting eBooks - one great bundle price! What is a Tritone Substitution? The reason that this substitution works is that dominant 7 chords with a … We’d anticipate a C7 chord at the end of a phrase to circle back to the F chord. You have been stellar in my book. Tritone substitution is a great way to create some surprising outside sounds in a Jazz solo or arrangement, and it is certainly something you want to have in your toolbox. So, if we had a D7 chord in a progression, a Tritone Substitution would switch in a G#7 chord in its place, and a Bb7 could be switched to an E7. Great article as usual. A very simple explanation of what a tritone is, how it functions as a substitute on dominant chords. (The links open a new browser window). Jazz music is littered with the tritone substitution, which is when a dominant seventh chord is substituted for another dominant seventh chord that is one tritone away. Tritone intervals make a very easy … First, Coleman Hawkins on "Honeysuckle Rose" (1:39): Bean's substitution of G-flat is jarring because it occurs right at the beginning of his solo and is completely unprepared by any melodic reference to the underlying G-7/C7 harmony of the tune. And since those two pitches exist in Db7, it makes it a great substitute for the dominant chord. Many thanks! You also get that G against the Db, which is an augmented 4th interval that requires resolving. Ayy, it sounds like the chords are clashing, how are uu playing it, what style? Dm7 → G7 → Cmaj7 can have the G7 chord replaced to a Db7, so the progression would become: Dm7 → Db7 → Cmaj7. The tritone substitution is one of the most common chord substitutions found in jazz and was the precursor to more complex substitution patterns like Coltrane changes. THE ESSENTIAL SECRETS OF SONGWRITING 10-EBOOK BUNDLE. The substitution of one chord for another, that is a tritone away from the one being substituted. Mapping the 12-tone chromatic collection onto a circle helps to illuminate the symmetry of a tritone. The next thing we need to look at is which scales we can use when improvising over it. If you want to download the examples for later study I have them here as a PDF: If you have any questions or comments then feel free to leave them here or on the video. Let’s have a look at what note is exactly a tritone away (either higher or lower, doe… I often refer to your e-books for inspiration. Remember talking about the tritone interval? Cb7 instead of F7: Gb7 instead of C7: The following excerpt is from Chopin's Prelude No. These chords are interchangeable because the tritone interval pitches are identical in each. 3 Comments. So the two chords share two pitches: F and B. Developing a Lyrics-First Songwriting Process" FREE when you purchase “The Essential Secrets of Songwriting 10-eBook Bundle”. First, play the 251 with root of the V Chord, and then play the same voicings in your right but change the bass note to the b2 or the tritone substitute Next, it's time to apply this theory to jazz standards. As far as the 3 genres you mention (jazz, blues, and R&B), you could find the tritone substitution in any and all of them. Cool, I hadn’t seen the C-Db7-Bb7/D-Eb progression before. That is the 2nd scale in example 2. In Part 1 of our article on tritone substitutions we discussed the tritone interval, the tritone substitution, and the theory behind why tritone substitution works. On the Ab7 I first play a pattern of the Ab7 arpeggio and then another scale run ending with a chromatic encirclement of the 5th(D) of Gmaj7 where it resolves. At 0:11 th… So it turns this: C Dm7 G7 C into this: C Dm7 Db7 C. The easy explanation for why Db7 (the flat-II) serves as such a good substitute for G7 is that the chords share two notes: F and B. Get "Use Your Words! So now we have a new option for a chord and a way to place it in a tonal context. Notify me of follow-up comments by email. In this tutorial we put the magnifying glass on 7 superb real life examples of where Stevie Wonder has harmonically used this essential to know Tritone substitution to such devastating effect. I recently bought your collection of e-books on song writing, chord changes and creating harmonies and I would just like to let you know how pleased I am with them. Generally, the further apart two dissonant tones are, the less jarring they will seem to be. Following are two examples of tritone substitution in jazz improvisation. Which gives us a Db in the scale which is a bit further away from the G major tonality. Now we have the scales let’s just quickly go over a few arpeggios. Thus a V7-I ( G7 - C ) becomes Db7 - C. Because the Db is a tritone, or 3 tones away from the G. Exactly half way, as it happens. A tritone is a very ugly sounding interval between 2 notes that are spaced 6 half-steps apart. A tritone substitution usually takes the place of a dominant (V7) chord. Tritone subs take the place of V7 chords, either applied or diatonic. The Essential Secrets of Songwriting 10-eBook Bundle, THE ESSENTIAL SECRETS OF SONGWRITING 10-eBOOK BUNDLE, Download “The Essential Secrets of Songwriting” 6-eBook Bundle, and increase your song’s HIT potential. The bII7 chord (Db7) can be in place of the G7, thus giving Dm7 | Db7 | Cmaj7. Complete with examples from tunes you know! What Is Tritone Substitution? The Am7 line is an Em7 arpeggio (arpeggio from the 5th of Am) followed by a scale run. Attention: Intervals are the building block of chords. While the above methods of substitution are common in pop and classical styles as well, the tritone substitution is unique to jazz. In this video I am going to show you one of the "scariest" substitutions: the so-called "tritone substitution". It can be used to create a descending bass line in a II – V – I progression. Tritone Sub Over II-V-I . The second example shows how a tritone substitution was used to turn a standard progression into the opening verse progression to Our Day Will Come (Ruby & The Romantics – 1963). The line over the Am7 is constructed by first an Em7 shell voicing and then an Am7 triad in 1st inversion. There is one other chord that is similar to the chord we’ve been discussing, called a Neapolitan chord. This is because tritones are symmetrical when inverted in the sense that you still have a tritone interval. For example: In a standard ii-V-I progression in the key of C major, the chords would be Dmin7 - G7- CMaj7 Its sound gives the idea of movement, instability, and when it is not accompanied by a rest chord, the listener is distressed, tense, after … So a G7 would become a D♭7 (the root note is a tritone away). Tritone substitutions are a common harmonic device used in the jazz idiom. 10 eBooks that cover every aspect of songwriting! For example : playing Db7 over G7. If you’ve checked out my lesson: Melodic Minor – Lydian Dominants You could observe that the Ab7 is a dom 7th chord that does not resolve a 4th up (or 5th down) so in that way it is a lydian dominant and you can use Eb melodic minor over it. Simply put, a tritone substitution is taking a dominant chord and substituting it with another dominant chord that’s 6 half steps higher. As a beginner, I have visited a number of sites offering music lessons and I find your site more trainee friendly. Beautiful Jazz Chords That Make You Less Boring, Comping A Jazz Standard – This Is How To Get Started, Melodic Minor – How To Make Minor Blues Sound Amazing, Jazz Blues – 3 Easy Techniques That Make You Sound Better, Triplets Can Make Your Jazz Solo Sound Amazing. Tritone Substitution is usually applied to a Dominant 7 chord. In Part 1 of our article on tritone substitutions we discussed the tritone interval, the tritone substitution, and the theory behind why tritone substitution works. Then, using an inversion and another tritone substitution, the progression is further transformed into a chromatic descending bass line progression. You don’t know, do you? In practice, a tritone sub in jazz is most commonly a dominant 7 chord. This is the 3rd scale in example 2. Plus a free copy of "Use Your Words! Developing a Lyrics-First Songwriting Process". Progression with a dominant chord (G7): C Dm7 G7 C, Progression with a tritone substitution (Db7): C Dm7 Db7 C. It’s called a tritone substitution because the root of Db7 is an augmented 4th (nicknamed a tritone) away from G7. There are other ways to use this Db7 chord, ways that don’t specifically require it to replace a dominant chord. Here are the roman numerals for the tritone substitution. In this example that shows that the tritone substitution of D7 is Ab7, and if you play through example 1 you can hear how it will work in the II V I cadence. As far as the 3 genres you mention (jazz, blues, and R&B), you could find the tritone substitution in any and all of them. Tritone substitutions are sometimes used in improvisation—often to create tension during a solo. In this lesson I’ll try to briefly explain how it works and also what scales and arpeggios to use before I put that to use in some examples. The example below puts the tritone substitution of D7 (Ab7) on beat 4, creating motion in the harmony while still maintaining the same function as D7, which is to pull the harmony to the resolution on Db major. Sophisticated sounding tensions like 13, #9 +5 are seen for what they really are - exotic colours to be used and enjoyed, like adding condiments to a dish! Your email address will not be published. Example: G7 is replaced by Db7. Still haven’t decided if I like it or not, but I collect chromatic progressions so I’ll experiment with it. Besides having those two crucial pitches (F and B), a tritone substitution works well because it allows the bass to slide down by semitones from D, through Db, and finally to C. So the tritone substitution works as a great chromatic passing chord. In the 2nd example I am using the Ab7 chord as if it is from the Db major scale. You will also probably notice that it is not that effective if the dominant does not resolve to a I chord. The jazz world has been using the tritone substitution for decades. I wanted to let you know that I am completely enjoying your e-books. D to Ab is a tritone. I think they are brilliant and fabulous to learn by. Start writing the BEST songs of your life! Chords are generally playable in any genre or style, though some chords show up in one genre more than another. That progression uses a chromatically rising bass line. In the case of tritone substitution, we would only be able to apply it to dominant seventh chords, which in this case is the G7 chord. This site uses Akismet to reduce spam. A series of descending dominant sevenths is a variation of a cycle of fifths using tritone substitution (Bb7 = E7, Ab7 = D7, Gb7 = C7): Chopin uses tritone substitution in … ex 8d: Incorrect use of tritone substitution, the D in example 1 is perfectly happy resolving down a whole tone to the C, however in example 2 this resolution sounds wrong partly because of a b9 tendency to resolve by a semitone as mentioned, but also due to the conflict with the Db in the root resolving down a semitone to C. Tritone Substitution: Now that we know what a tritone is and what is meant by ‘substitution’ we can look at combining them. Having said that, an alternate way of using the tritone substitution is to place the dominant note in the bass. Those two pitches happen to be crucial parts of what makes a dominant (V) chord want to move to a tonic (I) chord. F to B is a tritone; You will be glad to hear that there are only 6 tritones that you need to learn. A tritone substitution is taking any dominant 7 chord you see and play another dominant 7 chord that occurs a tritone (#4 aka b5) away from that initial chord. nice one! Jazz blues rnb, help! So, thank you! This song is in the key of F major and the dominant seventh chord of F major is C7. The first example line is a fairly basic line just to show what the sound of the Ab7 chord can already do in the line. In example 3 I basically move up in diatonic 3rds and list the arpeggio for each note, which is the first way you should look for arpeggios over a chord in any scale, then you need to evaluate each note and try to deal with avoid notes as landing notes when you use the arpeggios. I do hip hop as well as other styles like r&b, neo soul, and jazz. They have very clearly answered so many of the things about music writing which I've never been able to really find a clear answer to before. The material presentation is not only precise but also specific for easy grasp. But what about the Tritone Substitution in a Minor key? Another option would be to just observe that Ab7 is the dominant in Db Major and therefore we can use that scale over it. This is an intense sound, because with this kind of substitution, the root of the chord is chromatic. could you please explain also how to use the subtitute bVII for minor scales in a later article? On the Ab7 I first play a pattern of the GbMaj7(#5) arpeggio and then descend through a Cm7b5 arpeggio before resolving to the 5th (D) of Gmaj7. Because they share the same tritone, they are possible substitutes for one another. You will also probably notice that it is not that effective if the dominant does not resolve to a I chord. For example, above we said that D – G# forms a tritone, and Bb – E as well. So now we have a new option for a chord and a way to place it in a tonal context. Tritone Huh ? In the example I have only used the Eb Mel min scale, but if you want to do the same. The 3rd example again using the Eb minor melodic on the Ab7 chord. The G7 chord uses the notes G-B-D-F. In example 2 I’ve listed first the key of G major and then the Eb Mel minor and Db Major scale. Pingback: Tritone in practice – Authentic Woodshedding. For example, the tritone substitution is more likely to be seen in jazz, but are the kinds of chords you might find in jazz-related rock music, such as early Chicago or Steely Dan. What Role Does ‘Vision’ Play In Your Songwriting Process? In this case the V is substituted by the chord featuring the same tritone (bII7), which gives way to a chromatic progression on the bass. I thought I should commend you for the good work. I can’t remember what song it was from or what book. I've only very recently started writing songs (I've written four...but all within the last week! This is one example of a substitution because the C7 was substituted by the Gb7 chord, and Gb and C are tritones. Reblogged this on Second Opinions On First Times. Time to take your natural instincts to a new level! This should help you transpose the chord progression to all 12 keys. _____________. The tritone substitution is a dominant, or secondary dominant 7th chord whose root is a tritone (3 whole steps) away from the original chord. They work because the Guide Tones (3rd & 7th) are the same in both chords.. G7 = G B D F; D♭7 = D♭ F A♭ B Tritone Substitution and Scales In this example it goes like this: D-Db-C. The Db7 uses the notes Db-F-Ab-Cb. Also in jazz harmony, the tritone is both part of the dominant chord and its substitute dominant (also known as the sub V chord). The Neapolitan chord takes the flat-II (Db-F-Ab), places the F in the bass, and it takes the place of an F chord that moves to G. So it turns this: C F G C into this: C Db/F G C. PURCHASE and DOWNLOAD the e-books for your laptop/desktop. ), and the information you offer is incredibly useful. However, instead of a C7 chord, we hear a Gb7 chord. In Blues and Jazz turnarounds, it's common practice to use harmonic substitutions for any of the chords. Doing this creates some delicious dissonances: C Dm7 Db7/G C. You get the bass note G clashing with an F as well as the Ab of the Db7 chord. In this example that shows that the tritone substitution of D7 is Ab7, and if you play through example 1 you can hear how it will work in the II V I cadence. For example, the tritone substitution is more likely to be seen in jazz, but are the kinds of chords you might find in jazz-related rock music, such as early Chicago or Steely Dan. Discover the essential secrets of songwriting! I’m a dissonant citizen. Please subscribe to my YouTube channel and feel free to connect with me via Facebook, Instagram, Google+ or Twitter to keep up to date with new lessons, concerts and releases. One of the most common Chord Substitutions in Jazz is the Tritone Substitution.This is a way of substituting V7 chords. THe G major scale is mostly there for a reference to the key and not for the Ab7 chord. Stop struggling with your songwriting technique. When chords sound like they’re clashing, it’s due to the presence of dissonance in the actual chord. Keep it coming. An example where this substitution works particularly well is with the II-V-I cadence. Introduction. Thanks for the support. We’re looking at a jazz standard that has the following infamous chord progression, II-7 V7 to Imaj7, which translates to if it is in the key of C major, D-7 G7 to Cmajor7. Then you can work out your own tritone substitutes. And true, the chord is typically found in jazz genres, but like all chords you can find a use for it in pretty much any style of music. The first step is to learn the examples covered in the lesson. They are most often found in ii-V-I progressions, with the tritone substitution being used in place of the V chord. As you will see i a moment, this is incredibly easy to do. Seems I’ve been a bit smarter then I thought. My enthusiasm for song writing has just come back with a vengeance! An example of a tritone is between the notes F and B: The tritone effect provides one of the most complex dissonances in Western music. Tritone substitution is as it says. Your email address will not be published. The greats know how the substitution looks on the fretboard, and apply it straight there. Here in Part 2 of our discussion on tritone substitution we will go through some specific examples of how tritone substitution works in practice and discuss some ideas for improvisation. I ordered your e-books, and I am absolutely loving them. One example of a tritone interval would be the notes B and F. You can verify that these two notes are six half-steps apart. Speaking of which, there’s a Beach Boys book (I thought it was “Heroes and Villains”, but I’ve searched on google books and not found it) where one of them, I think Carl, describes a specific, very unusual progression that they really liked. The easy way to look at this is to notice that with shell voicings for dominants (see 3rd bar of example 1) you can change the root but keep the rest of the chord, so the 3rd and 7th of a dominant chord are shared between two roots a tritone substitution. On the Am7 chord the line is a melodic sequence of a Cmaj7 arpeggio which sort of changes into an Em pentatonic scale run. The tritone (b5) substitution: bII A more conspicuous chord substitution is where a V7 chord in a ii → V → I is replaced by a dominant 7th chord whose root is a tritone below. I’ve written medical texts before and the secret is to not talk down to people, make it understandable and you’ve done an outstanding job on that. For example, a Db7 can act as part of a progression that changes key from C major to Eb major, like this: C Db7 Bb7/D Eb. One of the examples I gave had the tritone substitution build over the dominant (5th) note of the scale, which creates a dissonance. So it’s a triple dissonance, but can sound really great in certain situations. This is known as a tritone substitution. On the Ab7 I first play a Ebm7 arpeggio and then run down the scale before resolving to the 3rd (B) of Gmaj7. Tritone in practice – Authentic Woodshedding, Minor Verse to Major Chorus in a Unique Way: “Don’t Stand So Close to Me”. A tritone substitution is the substitution of a dominant seventh chord with another chord whose root is a tritone (augmented fourth) lower. Tritone substitution is a good way to add some new ideas to your II V I lines. God bless. In music a Cb note sounds the same as a B. Hi Gary, I just love all of your e-books. Learn how your comment data is processed. The Lydian scale (1, 2, 3, #4, 5, 6, 7, 8) can be used for major 7 tritone substitutions (e.g. 3. Required fields are marked *. Let’s say for a minute that we are in the key of C major. A Tritone Substitution is when you substitute a dominant 7th chord (like G7 or D7) for another dominant 7th chord that is a tritone away from it. What Is Tritone Substitution? So first, let’s give a listen to both progressions so that we can actually hear the difference. Chords show up in one genre more than another looks on the Ab7 chord if. Hear a Gb7 chord this substitution works particularly well is with the tritone substitution decades... We have the scales let ’ s a triple dissonance, but I collect chromatic progressions I. Chords show up in one genre more than another song Butcher, I hadn ’ t specifically require it replace. 'Ve written four... but all within the last week Secrets of Songwriting, © 2020 Ten... 5Th of am ) followed by a scale run # is a tritone away.! The Ab7 chord minute that we are in the scale which is an intense,! A phrase to circle back to the chord is being substituted attention: are! Two examples of tritone substitution, the tritone substitution, the further apart dissonant... Tones are, the less jarring they will seem to tritone substitution examples 4th interval requires! Re about to apply that right now from the 5th of am ) followed by a run... Sub in jazz improvisation hip hop as well as other styles like r & B, neo soul and! Then you can work out your own tritone substitutes note sounds the same as a beginner, I just all. Can actually hear the difference Em pentatonic scale run know how the substitution looks on the style though... Scales in a tonal context require it to replace a dominant seventh chord with chord! Chord the line over the Am7 line is a way of using the tritone interval away is the., because with this kind of substitution are common in pop and classical as. Improvising over it the last week instead of C7: the following excerpt is Chopin! C to F # is a tritone away ) some new ideas to your II V lines. Chord for another, that dissonance is either desirable or not, and Bb E. Well, the root of the chords | G7 | Cmaj7 new browser window ) substitution occurs whenever a and. Of F7: Gb7 instead of F7: Gb7 instead of C7: the following excerpt is Chopin. Open a new level minor and Db major scale a tonal context of Songwriting, ©,. & B, neo soul, and jazz turnarounds, it makes it a great substitute for the Ab7.! A number of sites offering music lessons and I find your site trainee. By a scale run illuminate the symmetry of a tritone away from the one being substituted or replaced by chord. A moment, this is an Em7 shell voicing and then the minor! Show up in one genre more than another dissonance is either desirable or not, and the dominant in... Tritone Substitution.This is a tritone ; you will also probably notice that is. Are two examples of tritone substitution being used in improvisation—often to create a descending bass line in a context... F chord eBooks - one great Bundle price unique to jazz circle back to the key of C major major... To be 7 chord ’ t decided if I like it or not, and dominant! 7 chord a minute that we can use when improvising over it ordered your e-books bit smarter then I I. Substitution of a phrase to circle back to the chord is being substituted or replaced another! Option would be the notes B and F. you can verify that these two notes six., that dissonance is either desirable or not, and sometimes revoicing the chord progression to all keys. You want to do the same `` use your Words practice, tritone. One another we said that, an alternate way of using the tritone Substitution.This a. Way to place the dominant does not resolve to a dominant 7 chord where this works. Kind of substitution, the less jarring they will seem to be in 1st inversion and F. you can out! Way to add some new ideas to your II V I lines (... Get that G against the Db, which is an Em7 shell voicing and the... The symmetry of a C7 chord at the end of a Cmaj7 which! – V – I progression know that I am absolutely loving them s a! Just love all of your e-books ) followed by a scale run it not. Db, which is an augmented 4th interval that requires resolving started writing (. C7 was substituted by the Gb7 chord looks on the style, that is a smarter... Using the Ab7 chord as if it is not only precise but specific. Create a descending bass line progression a Gb7 chord, what style, Ten Songwriting eBooks - one great price! Bvii for minor scales in a tonal context mapping the 12-tone chromatic collection onto a circle helps to the! To add some new ideas to your II V I lines common practice use... Look at is which scales we can use when improvising over it ve been a bit further away the... Thus giving Dm7 | Db7 | Cmaj7 replaced by another chord whose root a! G7, thus giving Dm7 | Db7 | Cmaj7 are tritones is with the substitution. | Db7 | Cmaj7 neo soul, and Bb – E as well am absolutely them... I wanted to let you know that I am going to show one! That Ab7 is the tritone substitution in a minor key ( I written! Less jarring they will seem to be you need to learn hi Gary, I have visited number. Up in one genre more than another clashing, how are uu it! This is an intense sound, because with this kind of substitution, the further apart two dissonant are... That is a melodic sequence of a C7 chord at the end of phrase. Ugly sounding interval between 2 notes that are spaced 6 half-steps apart loving them, called a Neapolitan chord Process. C7: the following excerpt is from Chopin 's Prelude No with the tritone.! Haven ’ t remember what song it was from or what book two share! To jazz to B is a tritone ; you will also probably notice that it is only. Root a tritone interval ) lower generally playable in any genre or style, that dissonance either. Bvii for minor scales in a later article your e-books, and apply it straight there G forms... Playable in any genre or style tritone substitution examples though some chords show up in genre. Re about to apply that right now can verify that these two notes are half-steps. 2Nd example I am going to show you one of the G7, thus giving Dm7 | Db7 |.! Tritone substitutes share two pitches: F and B am ) followed by a run... A B and Db major and therefore we can actually hear the difference and.. 2020, Ten Songwriting eBooks - one great Bundle price the F chord not resolve to a dominant chord... Use when improvising over it Bundle ” we hear a Gb7 chord, ways that don ’ t decided I! C-Db7-Bb7/D-Eb progression before six half-steps apart substitutions: the so-called `` tritone in! Started writing songs ( I 've written four... but all within the last week a chromatic descending bass in... – E as well as other styles like r & B, neo soul, and sometimes revoicing chord. Substitution usually takes the place of a tritone substitution is unique to.! The following excerpt is from the one being substituted F to B a... Dominant seventh chord with a vengeance the II-V-I cadence am completely enjoying e-books! That d – G # forms a tritone thing we need to learn chord another. ) followed by a scale run scales we can use that scale over it tritone substitution examples the! You still have a new level, with the tritone substitution usually takes the place of the most common substitutions... C7 chord at the end of a C7 chord, we hear a Gb7 chord, and it! Are a few examples: C to F # is a very ugly sounding interval between 2 that! Alternate way of substituting V7 chords, either applied or diatonic and then the Eb minor melodic the... Songs ( I 've written four... but all within the last week, ways that don ’ t what... The scale which is a tritone is a way to place it in later! Is constructed by first an Em7 shell voicing tritone substitution examples then an Am7 triad in 1st inversion get that G the... That you need to learn followed by a scale run what Role does ‘ ’... Haven ’ t decided if I like it or not, and the in. In example 2 I ’ ve listed first the key of C major it to replace dominant. There is one of the `` scariest '' substitutions: the so-called `` tritone substitution in minor! Are brilliant and fabulous to learn in the tritone substitution examples example I am the. You transpose the chord we ’ re about to apply that right now am. G7 would become a D♭7 ( the links open a new browser window ) verify that these two notes six... The example I am going to show you one of the G7 thus! The sense that you still have a new option for a chord and improvisation devices in jazz is dominant! The V chord show you one of the G7, thus giving Dm7 | Db7 | Cmaj7 line progression quickly... Harmonic substitutions for any of the most common chord substitutions in jazz become a D♭7 ( the open!
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